Nicholas Royle
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To awake, Shakespeare of the Night
in Hélène Cixous
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This chapter argues that the writings of Cixous and Derrida offer new ways of thinking about psychoanalysis. Neither was ever ‘in analysis’; both are committed, however, to what Derrida calls the ‘psychoanalytic revolution’, i.e. the only revolution ‘not to rest, not to seek refuge, in principle, in … a theological or humanist alibi’. Both Cixous and Derrida are constantly interested, also, in the ways in which Freud’s thinking at once falters at and illuminates the question of literature. This chapter investigates these issues in particular in terms of the notions of telepathy and magic. As was noted in Chapter 3, Freud is for Cixous ‘the Shakespeare of the night’: attention is here given to what she calls Freud’s ‘cartography of dreams’ and its correspondences with the work of Joseph Popper-Lynkeus (especially ‘Phantasies of a Realist’), as a basis for thinking about realism and hyperrealism, fantasy, dream and what Derrida terms ‘literary hyperconscience’. This leads in turn to a discussion of Cixous’s favourite Shakespeare play, A Midsummer Night’s Dream.

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