in A landscape of words
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Through a discussion of spatial practice in Irish verbal and literary culture, the Conclusion paints an encompassing picture of the resilience and ubiquity of circling spatial practice in Irish culture. While this practice, literary and cultural, is rooted in the Middle Ages, it is nonetheless still prevalent and globally influential in contemporary literary culture, as evidenced by Seamus Heaney’s poetry. The conclusion emphasizes the circling poetical device of dúnad, but also considers various visual images of circling spatial schemes, including illuminated insular gospels, mazes or labyrinths, plans of Jerusalem holy structures, maps and depictions of the cosmos, as well as schemes of the ogam alphabet. Spatial practice, and circling movements through material and imaginative landscapes, are a driving force in diverse forms of Irish cultural production.

A landscape of words

Ireland, Britain and the poetics of space, 700–1250



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