Guy Austin
Search for other papers by Guy Austin in
Current site
Google Scholar
Chabrol and friends
Abstract only
Log-in for full text

Claude Chabrol's films break down the dubious critical barrier between art cinema and popular cinema. Chabrol sees no shame in considering himself a craftsman and takes pride in bringing his films in on or under budget. Rejecting the avant-garde and the experimental, Chabrol chooses to work within the confines of established genres. Chabrol has in fact filmed farce, melodrama, fantasy, war films, spy films and glossy literary adaptations. Although Chabrol wrote some of his most famous films alone, he collaborated with his friend Paul Gégauff on many screenplays over the first twenty years of his career. Perhaps the most productive influence within Chabrol's crew, Gégauff was also the most destructive personality. Une partie de plaisir dramatises, and hence exorcises, the power of Gégauff's personality. To Chabrol, he became a close friend and a fascinating model of cynicism and amorality.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.



All Time Past Year Past 30 Days
Abstract Views 104 17 5
Full Text Views 28 0 0
PDF Downloads 7 0 0