Derek Schilling
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This introduction presents the key concepts discussed in the subsequent chapters of this book. The book aims to provide a balanced appraisal of Rohmer's oeuvre in historical context. Although interpretation of individual films will not be its main objective, representative examples from the director's twenty-five features and fiction shorts will be presented throughout. It is fitting that an intimist cinema devoted to the analysis of sentiment should have so aroused critics' passions, however late in the director's life course. While some of these criticisms can be levelled against the director-based French cinema as a whole, others seem to dog Rohmer specifically, who has long drawn inspiration from such 'literary' sources as the short story and stage play. Rohmer's predecessors are not only Marivaux, Musset, and Dostoyevsky, but Murnau, Renoir, Rossellini, and Hitchcock, to name but a few.

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