Mock-documentary and the subversion of factuality
in Faking it
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This introduction presents an overview of key concepts discussed in the subsequent chapters of this book. The book defines 'factual discourse' - the set of assumptions and expectations which form the basis of the documentary genre. It outlines the nature of the more recent expansion of textual concerns and representational strategies employed by documentary filmmakers. The book compares the contrasting screen forms, and focuses on the nature of the distinctive relationships which filmmakers construct towards the documentary genre. It identifies the characteristics of mock-documentary as a screen form, and shows the strategy used for distinguishing between the variety of texts which can be defined as mock-documentary. The book also outlines a speculative genealogy for the mock-documentary as a distinctive screen form, suggesting various textual precedents within American and British cinematic and television traditions which have made this form acceptable for both filmmakers and audiences.

Faking it

Mock-documentary and the subversion of factuality


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