Jane Roscoe
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Craig Hight
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Factual discourse and the cultural placing of documentary
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Mock-documentary is a 'fact-fictional' form which has a close relationship to both drama and documentary. It not only uses documentary codes and conventions but constructs a particular relationship with the discourse of factuality. This chapter outlines some of the key issues for analysis and discussion of the relationship which mock-documentary texts build with documentary and factuality discourses. It is not a comprehensive survey of the documentary theory literature but an overview of the key arguments with a view to showing how documentary positions itself as the screen form most able to portray the social world in an accurate and truthful way. The chapter explains that cultural status of the documentary form is effectively challenged by the development of the mock-documentary, which is itself symptomatic of the wider challenges to documentary. There are a number of cultural assumptions, and underlying discourses, which serve to reinforce documentary's privileged position.

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Faking it

Mock-documentary and the subversion of factuality


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