Jacques Audiard
Contesting filiations
in Five directors
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Jacques Audiard's work reflects several of the dominant preoccupations of contemporary French cinema, such as an engagement with realism (the phenomenon of the 'new new wave') and the interrogation of the construction of (cultural) memory. This chapter discusses four Audiard's films which were some of the most engaging and enduring films of the late 1990s and early 2000s in France. His Regarde les hommes tomber, Un héros très discret and Sur mes lèvres, received critical recognition, yet he is often absent from canon-forming lists of contemporary French directors. This will change to reflect the critical and popular acclaim afforded to his most recent work to date, De battre mon coeur s'est arrêté. The chapter discusses the question of filiation as one which concerns the thematic focus of Audiard's films, narrative choices, generic adoptions and subversions. Yet his films may appear realist in style, subject matter and mise en scène yet.

Five directors

Auteurism from Assayas to Ozon

Editor: Kate Ince


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