French cinema in the 1970s

The echoes of May

Cinema's engagement with 1968 was perhaps most in evidence in the auteur sector of the French industry. This book presents a study that aims to consider the ways in which the shake-up in French perceptions transferred itself to French cinema screens during the following decade. The emphasis is in the changes which occurred during the 1970s in the French output of films which could be seen by an average metropolitan cinema-goer without making such special efforts as joining a cine-club or seeking out films shown in community centres or to special interest groups. The most frequently noticed effect of the new post-1968 climate on the French cinema was a change in the nature of the thriller. The book focuses on three 1970s political thriller: série-Z, Yves Boisset's L'Attentat, and René Gainville's Le Complot. It looks at some films of the early 1970s which retain a consciously politico-social approach to their protagonists' problems, which conform to the broad description of 'new naturalism' in terms of narrative and protagonist. The 'New Naturalism' movement outlived its connection to 1968, and in the course of its development launched some of the most significant new film-makers to come to prominence in this decade, such as Jacques Doillon, Jean Eustache or Claude Miller. It concentrates on the two very different cinematic Utopias imagined by Claude Faraldo: Bof! and Themroc. The book also considers two film-makers: William Klein and Alain Tanner, whose work encapsulates many of the currents and issues.

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