From silent screen to multi-screen

Kenya’s white settlers have long captivated observers. They are alternately celebrated and condemned, painted as romantic pioneers or hedonistic bed-hoppers or crude racists. If we wish to better understand Kenya’s tortured history, however, we must examine settlers not as caricatures, but as people inhabiting a unique historical moment. We must ask, what animated their lives? What comforted them and what unnerved them, to whom did they direct love, and to whom violence? The Souls of White Folk takes seriously – though not uncritically – what settlers said, how they viewed themselves and their world. It argues that the settler soul was composed of a series of interlaced ideas: settlers equated civilization with a (hard to define) whiteness; they were emotionally enriched through claims to paternalism and trusteeship over Africans; they felt themselves constantly threatened by Africans, by the state, and by the moral failures of other settlers; and they daily enacted their claims to supremacy through rituals of prestige, deference, humiliation, and violence. The book explains how settlers could proclaim real affection for their African servants, tend to them with intimate medical procedures, as well as whip, punch and kick them – for these were central to the joy of settlement, and the preservation of settlement. It explains why settlers could be as equally alarmed by an African man with a fine hat, Russian Jews, and a black policeman, as by white drunkards, adulterers, and judges – all posed dangers to white prestige.

The military occupation of Egypt exposed the British government to charges of self-interest and the betrayal of Britain's liberal political principles. This book is a comprehensive portrait of the British colony in Egypt, which also takes a fresh look at the examples of colonial cultures memorably enshrined in Edward W. Said's classic Orientalism. It presents a study that takes Edward Said's theory of colonial culture as a first reference and follows his method of analysing various British cultural products that involved some sort of cultural exchange. British residence in Egypt was facilitated by commercial treaties, known as the 'Capitulations'. The idea of Britain's 'civilising mission' had become justification for the repression of Egypt's liberty. Arguing that Said's analysis offered only the dominant discourse in imperial and colonial narratives, the book uses private papers, letters, memoirs, as well as the official texts, histories and government reports, to reveal both dominant and muted discourses. While imperial sentiment set the standards and sealed the ruling caste culture image, the investigation of colonial sentiment reveals a diverse colony in temperament and lifestyles, often intimately rooted in the Egyptian setting. British high commissioner Sir Miles Lampson's interventions in Egyptian domestic politics marked a momentous turning point in imperial history by spurring extremist nationalism. The interwar time of uncertainty witnessed a see-sawing of the imperialistic and the liberal or internationalist impulses.

This book explores colonial gendered interactions, with a special focus on the white woman in colonial India. It examines missionary and memsahibs' colonial writings, probing their construction of Indian women of different classes and regions, such as zenana women, peasants, ayahs and wet-nurses. The three groups of white women focused upon are memsahibs, missionaries and, to a certain extent, ordinary soldiers' wives. Among white women in colonial India, it was the female missionaries who undoubtedly participated most closely in the colonial 'civilising mission'. The book addresses through a scrutiny of the literary works written by 'New Indian Women', such as Flora Annie Steel. Cross-racial gendered interactions were inflected by regional diversities, and the complexity of the category of the 'native woman'. The colonial household was a site of tension, and 'the anxieties of colonial rule manifest themselves most clearly in the home'. The dynamics of the memsahib-ayah relationship were rooted in race/class hierarchies, domestic power structures and predicated on the superiority of the colonising memsahib. The book also examines colonial medical texts, scrutinising how they wielded authoritative power over vulnerable young European women through the power/knowledge of their medical directives. Colonial discourse sought to project the white woman's vulnerability to specific mental health problems, as well as the problem of addiction of 'barrack wives'. Giving voice to the Indian woman, the book scrutinises the fiction of the first generation of western-educated Indian women who wrote in English, exploring their construction of white women and their negotiations with colonial modernities.