Love and work: 1979–84
in Jean-Luc Godard
Abstract only
Log-in for full text

This chapter demonstrates the validity of Alain Bergala's assertion regarding the thematic and aesthetic parallels between Jean-Luc Godard's four films: Sauve qui peut, Passion, Prénom Carmen, and Je vous salue Marie which were made between 1979 and 1984. In the films of the early eighties, Godard is seeking nothing less than a new way of seeing, a way of looking afresh at those things (bodies, nature) and those activities (love, work) that are at once most familiar and most profoundly unknown. If love and work are connected, as Godard repeatedly insists, it is perhaps because love - whether physical or spiritual love - involves renouncing possession, which ultimately amounts to renouncing the self. By the same token, the work of art - which is a labour of love - if it is truly to become art, must involve a similar renunciation, a dispossession.

Metrics

All Time Past Year Past 30 Days
Abstract Views 71 10 2
Full Text Views 27 1 0
PDF Downloads 10 1 0