Introduction
Genesis of Carax’s system
in Leos Carax
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This introductory chapter on Leos Carax first deals with the early years of the French film director and writer and his auteurism. Carax's early career was in two complementary ways conducted under the scrutiny of the French film journal Cahiers du Cinéma. The Carax of the short films is already amassing the elements designed to authenticate his claims to auteurism: common band of artists and technicians; thematic consistency and credible intertextual references. From a set of basic conceptual operators, his film worlds are built up stage by stage. For filmmakers, the pressing problems were to do with dealing with the ambient 'crisis of representation'. Herman Melville is a resource for Carax and other like-minded filmmakers. Due to his baroque tendencies, Carax is often described by his supporters as a visionary. The chapter also presents an overview of the key concepts discussed in the subsequent chapters of the book.

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