Introduction
The a-chronology of medieval film
in Medieval film
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This introduction presents an overview of key concepts discussed in the subsequent chapters of this book. The book argues that a playful confusion of temporalities is a fundamental characteristic not just of the term but also of medieval films themselves. Medieval films reflect on the fact that they make present a past that was never filmable and offer alternatives to chronological conceptions of time. The book traces the special relationship to temporality that characterises medieval film to its roots in the overlap of medievalism, film history and film theory. It suggests further examples of such new ways in which films that engage with the Middle Ages will be relevant to the present and future. Medieval film is not condemned to perpetuate the status quo, but, through its very position outside the historiographical and generic mainstreams can alter representations of history and cinematic modes.

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