in Michael Winterbottom
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This introduction presents an overview of the key concepts discussed in this book. This study of Michael Winterbottom is essentially concerned with his films, since most of his early television work is currently unavailable. Winterbottom is the most prolific and the most audacious of British filmmakers in the last twenty years. He does not merely keep up the pace but never ceases to be innovative and ambitious. Given his early association with Lindsay Anderson, he shows some continuity with the British New Wave. In films such as Go Now and I Want You, there is an unaffected interest in working-class lives, though with less sense of 'mission' than we would perhaps associate with those late 1950s/early 1960s directors. He has more in common with Anderson's restless, emotive and cerebral reactions to the worlds in which he situates his films and shares Anderson's absolute eschewal of sentimentality.


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