The realist
in Michael Winterbottom
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This chapter focuses on Michael Winterbottom's Welcome to Sarajevo, Wonderland, In This World and The Road to Guantánamo, with a brief reference to 24 Hour Party People as five very different films that have particular relationships with the historical world that they represent. A closer inspection of his films reveals a marked consistency, despite the perceived variation in genres and themes, a consistency that derives from a basic realist mode that closely attends to the historical import of the drama at the heart of all his films. The figure of Roberto Rossellini provides a useful way into thinking about Winterbottom's work in relation to the historical imperative that motivates these films. Rossellini's earliest films Rome, Open City and Paisà provide a useful comparison with In This World and Welcome to Sarajevo in particular.

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