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Dominique Cabrera
Intimate constructions of a ‘bonheur collectif’
in Negotiating the auteur
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This chapter begins with a discussion of Dominique Cabrera's first short film L'Air d'aimer, made in 1985. The central cumulative elements of Cabrera's documentary film making reach a self-reflexive peak in her autobiographical film made in 1997. Demain et encore demain continues a search for a notion of collective happiness, interrogates the links between the personal and the political and explores further the ethics of the documentary process through the adoption of the first-person form. Documentary aesthetics and a continuing interest in the relationship between place and identity inform Cabrera's first feature-length fiction film L'Autre côté de la mer. A series of films that she made on the impact of changes to the physical urban environment provide further evidence of the centrality in all her work of an insistence upon the recognition of the social as personal to all and the importance of a projected bonheur collectif or collective happiness.

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Negotiating the auteur

Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux


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