Noémie Lvovsky
Rupture and transmission
in Negotiating the auteur
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This chapter suggests that although Noémie Lvovsky's films seem to develop from early social engagement to a focus on mainstream comedy these later films should, nonetheless, be read in relation to wider socio-political discourses. The main characteristics of Lvovsky's first feature film are clearly anticipated in her short Dis-moi oui, dis-moi non, which formed part of her FEMIS graduation work and was released, to critical success, in 1989. Lvovsky's first feature film, Oublie-moi returns to these central preoccupations, in which the paralysing fear of decision articulated in Dis-moi oui, dis-moi non through the static camera, long takes and close framing continues. The box office success of Les Sentiments triggered a marked change in Lvovsky's profile that can be linked to the film's clear generic framework (dramatic comedy), an (over)familiar narrative and stellar ensemble cast.

Negotiating the auteur

Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux


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