Julia Dobson
Search for other papers by Julia Dobson in
Current site
Google Scholar
Noémie Lvovsky
Rupture and transmission
in Negotiating the auteur
Abstract only
Log-in for full text

This chapter suggests that although Noémie Lvovsky's films seem to develop from early social engagement to a focus on mainstream comedy these later films should, nonetheless, be read in relation to wider socio-political discourses. The main characteristics of Lvovsky's first feature film are clearly anticipated in her short Dis-moi oui, dis-moi non, which formed part of her FEMIS graduation work and was released, to critical success, in 1989. Lvovsky's first feature film, Oublie-moi returns to these central preoccupations, in which the paralysing fear of decision articulated in Dis-moi oui, dis-moi non through the static camera, long takes and close framing continues. The box office success of Les Sentiments triggered a marked change in Lvovsky's profile that can be linked to the film's clear generic framework (dramatic comedy), an (over)familiar narrative and stellar ensemble cast.

  • Collapse
  • Expand

Negotiating the auteur

Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux


All Time Past Year Past 30 Days
Abstract Views 73 9 1
Full Text Views 21 1 0
PDF Downloads 6 2 0