Julia Dobson
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Marion Vernoux
Encountering difference
in Negotiating the auteur
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Marion Vernoux's family background triggered a fascination with performance and mise en scène that was not dependent initially on the medium of film. The performative nature of identity and desire and a decisively pernicious mismatch between fantasy and reality are expanded in Vernoux's film which provides a re-examination of a classic trope of romantic discourse, that of the couple who overcome socio-cultural barriers or taboos to be together. Rien à faire centres on a couple from different socio-economic backgrounds who meet and embark on an affair as an indirect consequence of their shared joblessness. From the emphatic sisterhood of the end of Personne ne m'aime to the hesitant neighbourliness and class solidarity of the closing scene of Rien à faire, these films use popular genre to explore the precariousness of relationships between the individual and the collective, between self and other.

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Negotiating the auteur

Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux


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