Representing postcolonial African cinema
in Postcolonial African cinema
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This introduction presents an overview of key concepts discussed in the subsequent chapters of this book. The book shows ideas from a range of disciplines - film studies, African cultural studies and, postcolonial studies - in order to combine the in-depth analysis of individual films and bodies of work by individual directors. It overviews the director's output to date, and the necessary background - personal or national, cultural or political - to enable readers to achieve a better understanding of the director's choice of subject matter, aesthetic or formal strategies, ideological stance. The book offers a particular reading of one or more films to situate African cinema in relation to important critical and theoretical debates. It constitutes a new departure in African film studies, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon.


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