Darrell James Roodt
in Postcolonial African cinema
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Even within the contradictory conditions of film making in South Africa, Darrell James Roodt is a contradictory figure. This chapter explores and attempts to understand some of the contradictions which Roodt and his films embody. It examines the 'powerful tendency' of Roodt being seen as embodying the white dominance of the film industry in South Africa. The overwhelming historical and political presence in the development of filmmaking in South Africa is the apartheid state, but no other South African director has responded to that fact in the same way or to the same extent as Roodt. Roodt's anti-apartheid films clearly belong in the tradition of African films of anticolonial struggle, but could be seen as simultaneously constituting a 'special type' within that tradition as they work towards the belated emergence of a South African postcolonialism.


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