Despite her established reputation as a successful filmmaker, Coline Serreau could not find a producer to support her project for a silent film called Chari-Bohu in 1990. In the conclusion of her book on French Women's Writing 1848-1994, Diana Holmes emphasises the dilemma women writers were confronted with and which many women filmmakers in France have encountered in their career. More important perhaps is the emergence of filmmakers coming from outside the traditional film circles, whose social and ethnic background contrast with their elders'. The success of Y aura-t-il de la neige à Noël? shows that the 'feminisation' of French cinema seems to go beyond the increasing number of female directors within the French film industry. The huge difficulties most women filmmakers faced to finance their films meant that, when they could find a producer, they were (are), willingly or not, reduced to making cheaper films than their male counterparts.