Kinga Földváry
Search for other papers by Kinga Földváry in
Current site
Google Scholar
Shakespeare the tear-jerker
From woman’s film to global melodrama
Abstract only
Log-in for full text

The chapter presents a brief overview of the various interpretations and definitions of melodrama, reflecting on the term’s associations with music, excessive emotions and the centrality of the female body, and arguing for a more complex understanding of the melodramatic mode, liberating it from the common criticism of triviality and stylistic excess. The examples range from a so-called woman’s film from the 1930s, which foregrounds the female sacrifice and thus centralises the moral teaching embedded within the Shakespearean text, through a British social melodrama from the post-war period, where the moral issues are interconnected with racial anxieties. Another melodramatic adaptation from the 1990s, set in the Midwestern farmlands, emphasises the genre’s associations with feminism, particularly ecofeminism. The last section of the chapter argues that the melodramatic features of the Bollywood film industry show many similarities with the Western iterations of melodrama, and, with the help of a British-Asian melodramatic adaptation, exemplifies the generic hybridity characterising this particular diasporic film market.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.



All Time Past Year Past 30 Days
Abstract Views 376 245 34
Full Text Views 16 12 0
PDF Downloads 11 7 0