Shakespeare the undead
A renaissance of vampires and zombies
in Cowboy Hamlets and zombie Romeos
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The chapter presents the most common arguments behind the recent revival of the subgenres of horror featuring undead characters, particularly vampires or zombies. It also looks at the historical development of the representation of the cinematic undead, pointing out the symptomatic changes that clearly set these post-millennial creatures apart from the classic variants. Focusing on several examples of vampire Shakespeare adaptations, the chapter comments on possible reasons why only a few specific source texts are predominantly adapted into horror films. It is also noted that the majority of the films examined within the chapter are comic adaptations, with one notable exception; some of them are low-budget, even amateur, productions, although the films with lower production qualities are no less creative in their appropriation of the Shakespearean dramatic texts. Most films within the group display clear self-reflexive features, and they are also characterised by melancholy or nostalgia for the past. The chapter also observes similarities between the way teen films and undead horror adaptations deal with the source text’s authority, emphasising the generational connections between the groups. Several critical connections among Shakespeare criticism, adaptation studies and the undead are also presented.


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