Kinga Földváry
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The conclusion looks back on the six main chapters of the volume and reflects on their findings, pointing out a number of features in the cinematic products that can only be explained by a genre-based analysis. The chapter also confirms the broad applicability of the method exemplified here for the interpretation of other literary adaptations, and it opens up the discussion to consider the endemic presence of generic categories in contemporary popular visual culture and elsewhere. It also comments on the constantly changing forms of the Shakespeare phenomenon and the potential roles of Shakespeare in cultural production and consumption today.

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