Choosing our queen
A series of first female presidents from Commander in Chief to House of Cards
in Serial Shakespeare
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This is the first of two chapters focussed on the representation of the first female president in TV drama. It begins with a reading of House of Cards and Claire Hale Underwood’s rise to power through the lens of Macbeth. In a second step, it offers a typology of queenship in Shakespeare’s plays, with the Princess in Love’s Labour’s Lost as a representative of the comedies on one end, Queen Margaret as a representative of the history plays in the center, and villainesses from the tragedies, such as Tamar in Titus Andronicus on the other end. The point of connection is that in Shakespeare’s plays as in TV drama a mixture of cultural fascination and anxiety regarding female sovereignty is put on display. In a final step, this chapter offers an overview of the first wave of women to gain access to the Oval Office on screen – Caroline Reynolds in Prison Break, Mackenzie Allen in Commander in Chief, Allison Taylor in 24 and Elaine Barrish in Political Animals. Elizabeth McCord in the final season of Mme Secretary is shown to offer yet a further variation on the female politician’s struggle for acknowledgement in face of severe opposition from her peers.

Serial Shakespeare

An infinite variety of appropriations in American TV drama

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