The act of creation
Tangible engagements in the making and ‘remaking’ of prehistoric rock art
in Images in the making
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter investigates some of the steps that might have taken place before and after carving or painting a dot on to a rock surface, as images come into being, from the observation of features emanating from the landscape to the tasks of experiencing and interpreting rock art sites, in which both logic and intuition play a fundamental role. Primary focus is on the post-glacial art in the north-west corner of Iberia, a region that is particularly interesting for studying the relationship between imagery making, natural environment and socio-cultural contexts because it is a region where two major rock art traditions come together and may have overlapped, in time, in the fouthth and third to the beginning of the second millennia BCE. Inspired by the poetics of Kandinsky’s work, an effort is made to reinforce the idea that thinking about different ‘modes of becoming’ may help to establish wider connections to other spheres, times and spaces of human life.

Images in the making

Art, process, archaeology


All Time Past Year Past 30 Days
Abstract Views 20 20 4
Full Text Views 1 1 1
PDF Downloads 1 1 1