Punch and the Cyprus emergency, 1955–1959
in Comic empires
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter examines the way the cartoonists of Punch engaged with the unfolding crisis in Cyprus in a period of immense change – both for the British Empire, post-Suez, and for the magazine itself (the innovative Malcolm Muggeridge resigning as editor and handing over to the more moderate Bernard Hollowood in 1957). By focusing on six Punch cartoons that dealt with aspects of the Cyprus ‘emergency’, the authors show that although Punch had not lost its sense of humour, it had reduced in its acerbic and radical capacity for critical thinking. It also shows how individual cartoon comment – by Michael Cummings, Norman Mansbridge, and Ronald Searle, as well as Mervyn Wilson – could confound the editorial line of the magazine, and level criticism at the Conservative governments of Eden and Macmillan, as well as critiquing the Cypriot side.

Comic empires

Imperialism in cartoons, caricature, and satirical art


All Time Past Year Past 30 Days
Abstract Views 53 53 1
Full Text Views 2 2 0
PDF Downloads 6 6 0