Tragicomedy – and beyond?
The view through French spectacles
in The Shakespearean comic and tragicomic
Abstract only
Get Access to Full Text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Access Tokens

If you have an access token for this content, you can redeem this via the link below:

Redeem token

This culminating chapter shifts the focus to Shakespeare’s late plays, notably the generically pivotal Pericles (almost certainly a collaboration with George Wilkins) and that supreme instance of Shakespearean tragicomic romance, The Winter’s Tale. The now-dominant critical view of Italian influence is qualified with reference to the diverse kinds and origins of tragicomedy in English, including those with French analogues and those mediated by French sources, notably French versions of the antique novel. The redaction of the Apollonius of Tyre story incorporated by François de Belleforest in his Histoires tragiques receives close attention as an intertext for both Pericles and The Winter’s Tale. Its importance extends to recuperating from the antique romance tradition a notion of tragicomedy as being, in effect, tragédie à fin heureuse. Shakespeare’s use of Michel de Montaigne’s Essais in the translation of John Florio is also reviewed from this perspective – not merely the well-known passage from ‘Of the Caniballes’ adapted in The Tempest, but several textual traces from other essays, previously unnoticed, that arguably shed light on the movement in Shakespeare’s final plays (including Cymbeline and The Two Noble Kinsmen, a collaboration with John Fletcher) towards a generic synthesis mirroring an all-inclusive vision of human experience.



All Time Past Year Past 30 Days
Abstract Views 15 15 8
Full Text Views 0 0 0
PDF Downloads 0 0 0