in Painting Dublin, 1886–1949
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This short conclusion summarises the key arguments and findings of Painting Dublin and considers how they relate to visual representations of the city in the present day. It highlights points of connection and departure between artists’ depictions of Dublin and urban painting in other countries; parallels with literature; and places the activity of walking and navigating the city at the centre of this art history.

Painting Dublin, 1886–1949

Visualising a changing city


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