The early modern English sonnet

Ever in motion

This volume questions and qualifies commonly accepted assumptions about the early modern English sonnet: that it was a strictly codified form, most often organised in sequences, which emerged only at the very end of the sixteenth century and declined as fast as it had bloomed at the turn of the century – and that minor poets merely participated in the sonnet fashion by replicating established conventions. Drawing from book history, using the tools of close reading and textual criticism, it aims to offer a more nuanced history of the form in early modern England – and especially of the so-called ‘sonnet craze’. It does so by exploring the works of such major poets as Shakespeare, Sidney and Spenser but also of lesser-studied sonneteers such as Barnabe Barnes and Gabriel Harvey. It discusses how sonnets were written, published, received and repurposed in sixteenth- and seventeenth-century England, taking into account interactions with the French and Italian literary traditions. The collection also discusses current editorial practices and provides the first modern edition of an early seventeenth-century Elizabethan miscellany which claims the Earl of Essex, Spenser and ‘S.P.S.’ (presumably Sir Philp Sidney) as authors.

Abstract only
Log-in for full text

All Time Past Year Past 30 Days
Abstract Views 1805 716 94
Full Text Views 520 248 35
PDF Downloads 511 364 53