Marta Minujín’s sociability experiments
in Beyond the Happening
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

Chapter 2 analyses Marta Minujín’s increasingly countercultural attitude to communication after Three Country Happening, turning to the artist’s subsequent sociological media performances: Circuit (Super Heterodyne) (1967) and Minucode (1968). It reads these works as extended sociability studies, which used feedback to address the power imbalances of cultural capital, the pressures of Cold War soft diplomacy, and the experiences of exile and alienation. The chapter grounds Minujín’s deployment and critique of social science methodologies in the analytical reception of the Happening in Argentina and the dramatic rise of sociology, psychology and psychoanalysis in the country. It shows how the artist’s fascination with sociability, socialisation and cultural capital, and the media’s role in their consolidation, influenced her immersion in the counterculture, and her desire to undermine the disciplinary effects of sociology and psychology by inciting improvisatory relations – notably in her deeply idiosyncratic, provocative New York and Washington, DC Happenings of the early 1970s.

Metrics

All Time Past Year Past 30 Days
Abstract Views 26 26 12
Full Text Views 0 0 0
PDF Downloads 0 0 0