Green is the new black
Plant monsters as ecoGothic tropes; vampires and femmes fatales
in EcoGothic gardens in the long nineteenth century
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Plant monster fiction has previously received little attention outside post-colonial Gothic criticism. Even more recent ecocritical explorations have predominantly focused on environmental concerns in twentieth-century eco-horror rather than on plant monsters as Gothic tropes. This chapter examines gender stereotypes through the forms of uncanny plants, blending ecocritical with Gothic interpretation. Through gender associations of nature, vampiric and man-eating plant monsters in two late Victorian Gothic short stories – by H. G. Wells and Howard R. Garis – are established as ecoGothic tropes through female Gothic and material ecofeminist theories. These uncanny exotic flowering plants are offered as eco-femmes-fatales figures that use gender to blur the boundaries of human and nonhuman through bodily transgression. As embodiments of transcorporeality, these vegetal beings are revealed as ecoGothic monsters and ecofeminist activists in masculine domains.

EcoGothic gardens in the long nineteenth century

Phantoms, fantasy and uncanny flowers

Editor: Sue Edney

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