Jan Mieszkowski
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The drone of data
in Drone imaginaries
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Today, photos and videos are increasingly made by machines for machines. The almost unimaginable scale on which still and moving images are created and processed by digital surveillance and information systems ensures that the overwhelmingly majority of them will never be seen by human eyes. This chapter explores the sublimity of big visual data in the post-vision age and considers its implications for emerging drone aesthetics. Although by definition unmanned aerial vehicles take the place of human beings or fill roles to which people could never aspire, several contemporary artists have nonetheless turned to drone media in an effort to resuscitate the humanist paradigm of the autonomous artwork, a singular product that cannot be subsumed by an algorithm or a data set. In the fight against the spectacle of immensity and complexity that underwrites the neoliberal rationalization of life, drones may yet prove to be a valuable weapon

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Drone imaginaries

The power of remote vision


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