Daisy Black
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Conclusion
The spectator’s God’s-eye view
in Play time
Chapter DOI:
https://doi.org/10.7765/9781526146878.00012
Online Publication Date:
17 Nov 2020
Abstract only
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The conclusion turns a critical lens on the academic periodisation of ‘medieval’ and ‘early modern’ performance forms and the supersessionary models of theatre they produce. First, it extends discussions of subjective experiences of time to focus on a play’s spectators. It identifies in the York Fall of the Angels a contract of temporal double-think required from audience members who knew and anticipated a play’s plot, yet were simultaneously engaged with the ‘now’ of the performance. It also examines what happens to this God-like perspective if a play breaks this contract of narrative anticipation. Second, it discusses an episode from the 1611 manuscript of the Cornish Gwreans an bys, in which Seth makes a conscious effort to preserve historical knowledge for future generations by burying books. It argues that this apocryphal episode is not merely an act of pleasurable nostalgia: it operates as an act of resistance towards consigning the popular stories of the old faith to the past.
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Play time

Gender, anti-Semitism and temporality in medieval biblical drama

eISBN:
9781526146878
Publisher:
Manchester University Press
Cover Play time
Subjects:
Literature and Theatre
Keywords:
medieval; gender; time; Jew; drama,; Christian; performance; spectatorship
Page Count:
247
Publisher:
Manchester University Press

Series: Manchester Medieval Literature and Culture

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Cover Hartly House, Calcutta

Hartly House, Calcutta

Phebe Gibbes

Book

Publication History:

Online Publication Date:
13 Feb 2019
Subjects:
  1. Literature and Theatre
Available In:
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This novel is a designedly political document. Written at the time of the Hastings impeachment and set in the period of Hastings’s Orientalist government, Hartly House, Calcutta (1789) represents a dramatic delineation of the Anglo-Indian encounter. The novel constitutes a significant intervention in the contemporary debate concerning the nature of Hastings’s rule of India by demonstrating that it was characterised by an atmosphere of intellectual sympathy and racial tolerance. Within a few decades the Evangelical and Anglicising lobbies frequently condemned Brahmans as devious beneficiaries of a parasitic priestcraft, but Phebe Gibbes’s portrayal of Sophia’s Brahman and the religion he espouses represent a perception of India dignified by a sympathetic and tolerant attempt to dispel prejudice.
Cover Crossing borders and queering citizenship

Crossing borders and queering citizenship

Civic reading practice in contemporary American and Canadian writing

Author:
Zalfa Feghali

Book

Publication History:

Online Publication Date:
16 Apr 2019
Subjects:
  1. Literature and Theatre
Available In:
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Can reading make us better citizens? This book sheds light on how the act of reading can be mobilised as a powerful civic tool in service of contemporary civil and political struggles for minority recognition, rights, and representation in North America. Crossing borders and queering citizenship reimagines the contours of contemporary citizenship by connecting queer and citizenship theories to the idea of an engaged reading subject. This book offers a new approach to studying the act of reading, theorises reading as an integral element of the basic unit of the state: the citizen. By theorising the act of reading across borders as a civic act that queers citizenship, the book advances an alternative model of belonging through civic readerly engagement. Exploring work by seven US, Mexican, Canadian, and Indigenous authors, including Gloria Anzaldúa, Dorothy Allison, Gregory Scofield, Guillermo Gómez-Peña, Erín Moure, Junot Díaz, and Yann Martel, the book offers sensitive interpretations of how reading can create citizenship practices that foreground and value recognition, rights, and representation for all members of a political system.
Cover Howard Jacobson

Howard Jacobson

Author:
David Brauner

Book

Publication History:

Online Publication Date:
12 Jan 2021
Subjects:
  1. Literature and Theatre
Available In:
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This is a comprehensive and definitive study of the Man Booker Prize-winning novelist Howard Jacobson. It offers lucid, detailed and nuanced readings of each of Jacobson’s novels, and makes a powerful case for the importance of his work in the landscape of contemporary fiction. Focusing on the themes of comedy, masculinity and Jewishness, the book emphasises the richness and diversity of Jacobson’s work. Often described by others as ‘the English Philip Roth’ and by himself as ‘the Jewish Jane Austen’, Jacobson emerges here as a complex and often contradictory figure: a fearless novelist; a combative public intellectual; a polemical journalist; an unapologetic elitist and an irreverent outsider; an exuberant iconoclast and a sombre satirist. Never afraid of controversy, Jacobson tends to polarise readers; but, love him or hate him, he is difficult to ignore. This book gives him the thorough consideration and the balanced evaluation that he deserves.