Play time

Gender, anti-Semitism and temporality in medieval biblical drama

Author:
Daisy Black
Search for other papers by Daisy Black in
Current site
Google Scholar
PubMed
Close

This book produces an important re-theorisation of the ways gender, time and Judaism have been considered in late medieval biblical drama. It employs theories of gender, performance, antisemitism, queer theory and periodisation to complicate readings of early theatre’s biblical matriarchs and patriarchs. It argues that the conflicts staged by these plays provide crucial evidence of the ways late medieval lay producers, performers and audiences were themselves encouraged to question, experience, manipulate and understand time. Interrogating medieval models of supersession and typology alongside more contemporary models of ‘queer’ and topological time, this book charts the conflicts staged between dramatic personae in plays that represent theological transitions or ruptures, such as the Incarnation, Flood, Nativity and Bethlehem slaughter. While these plays reflect a Christian preoccupation with what it asserted was a ‘superseded’ Jewish past, this book asks how these models are subverted when placed in dialogue with characters who experience alternative readings of time.

Abstract only
Log-in for full text
  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

    • Full book download (HTML)
    • Full book download (PDF with hyperlinks)
All Time Past Year Past 30 Days
Abstract Views 7601 5639 493
Full Text Views 765 386 33
PDF Downloads 931 205 7