Global and translocal
An interview with Marina Galvani
in Art and migration
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Art curator of the World Bank art collection Marina Galvani describes the back stage of curating artistic exhibitions focusing on political issues. She reflects on the structural and institutional constraints on World Bank art programmes, but also how realpolitik and worldwide political events affect the logistics of international art institutions, with artworks necessitating authorisations to be exhibited and artists sometimes being unable to attend exhibitions for political and administrative reasons. Museums and galleries often depend on the support of national and international authorities and are affected by global conflicts. Galvani also explains how the World Bank supports and protects artists worldwide, with a focus on vulnerable artists. Curating Uprooted: The Resilience of Refugees, Displaced People and Host Communities made her realise that artworks travel much more easily than the artists themselves.

Art and migration

Revisioning the borders of community

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