Reflections on positionality
in Art and migration
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The neutrality of the academic position is a fiction that is never more exposed than when dealing with social injustice and experiences of dislocation and othering. To conclude this reflection on art and migration, the academic authors join the interviewees in their disclosure of self and its borders. They partake in a reflexive exercise to consider the intersections of structure and agency in this volume. What social position do they hold, and what meaning, processes, and practices have they deployed? They acknowledge, each in turn, their multi-layered positionality and the embedded social and political issues related to gender, race, and culture. They remind themselves and the readers that the migrant experience varies in degrees of hardship according to the subjects’ position in systemic and oppressive structures. They reclaimed throughout the volume the term ‘migrant’ specifically because they see it as capacious rather than defining. This personal conclusion affirms that the experience of migration remains fragmented and fluid, allowing for a flexible definition of migrant communities.

Art and migration

Revisioning the borders of community

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