in The traumatic surreal
Abstract only
Log-in for full text

The Introduction frames the book’s argument in relation to the development of Surrealism as a response to historical trauma, and identifies and locates the tradition of Germanophone women artists to be addressed in subsequent chapters. It establishes the significance of the moment of Erschütterung or ‘traumatic shattering’ that will recur as a motif in subsequent chapters.

The traumatic surreal

Germanophone women artists and Surrealism after the Second World War


All Time Past Year Past 30 Days
Abstract Views 56 56 14
Full Text Views 4 4 4
PDF Downloads 3 3 3