Meret Oppenheim’s hauntologies
in The traumatic surreal
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This chapter explores Oppenheim’s period of ‘artistic block’ (c.1937–55) and examines her work produced during the war years when she was resident in Switzerland. It pays particular attention to her untranslated screenplay Kaspar Hauser oder Die Goldene Freiheit (1942–43).

The traumatic surreal

Germanophone women artists and Surrealism after the Second World War

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