Olivier Corten
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François Dubuisson
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International law on the screen
Determining the methodology
in Cinematic perspectives on international law
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The aim of this introductory chapter is to provide some reflections with regard to methodologies that are used when analysing films and TV series from an international law perspective. Different tendencies may be distinguished in the existing literature. Among them, critical studies focus on the connection between cinema and ideology, both from legal scholars already associated with critical schools of legal thought and from specialists in international relations or political science. This approach has been shared by all the authors of this book, with a double objective: first, to identify representations of international law in cinematographic productions; and, second, to try to determine some of the functions of these representations in the (international) society. In doing so, the authors will contrast the narratives of international law depicted in film and TV with the corresponding narratives advanced by legal scholars. This will lead to the identification of a cognitive dissonance between them and an assessment of its implications for general perceptions of international law.

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