Absolutely modern mysteries
in Surrealism and film after 1945
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The early surrealist writings on film have secured their place in film history and the history of film theory, but the surrealist movement’s presence in post-war film culture remains a blind spot in film studies. The Introduction describes how surrealists turned to film criticism and film-making with renewed vigour following World War II, before discussing the methodological challenges involved in expanding the study of surrealist film to the post-World War II period. It argues that surrealist cinema and its widespread impact cannot be fully understood unless its drastically understudied post-war history is consistently acknowledged and charted. Discussing the post-war reception of surrealism, its political pursuits, and its widened interests generally, the Introduction sets out specific examples of how the history of surrealist film intersects with the movement’s broader history and outlook.

Surrealism and film after 1945

Absolutely modern mysteries


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