Ana María Sánchez-Arce
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Kicking the habit
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in The cinema of Pedro Almodóvar
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Pedro Almodóvar’s cinema in relation to his ambivalent attitude towards Spanish popular cinema and traditions encouraged under General Franco’s dictatorship. The chapter challenges the film’s sidelining because of its use of Catholic ritual and iconography, identifying it as a lesbian romance that draws on Spanish folkloric religious films, religious baroque paintings, and melodramas such as those of Douglas Sirk rather than a sexploitation or anti-clerical film. Through melodramatic pastiche, the film shows how Almodóvar’s cinema exposes the contradictions of Spanish society at the time. In addition to this, this chapter considers Almodóvar’s appropriation of Latin American music to tell a story of lesbian desire.

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