Peter Hutchings
Search for other papers by Peter Hutchings in
Current site
Google Scholar
Frankenstein and Dracula
in Hammer and beyond
Abstract only
Log-in for full text

Frankenstein (or the monster that often goes under his name) and Dracula are without doubt the two ‘stars’ of the horror genre as well as being the most influential and widely known products of literary gothic. This raises the question of how Hammer’s Frankenstein and Dracula cycles relate to the earlier novels and films which originated and developed these figures. To put it another way, how can one conceive of Frankenstein’s and Dracula’s historical passage from their nineteenth-century literary origins to their entrance into British cinema in the 1950s? This chapter considers the ways in which Hammer established its own versions of the Baron and the Count, how it differentiated them from earlier versions, and how these figures were developed throughout the cycles in which they featured. As far as the latter is concerned, one often finds – particularly in the Frankenstein cycle – that there is rather more innovation and rethinking than one might have supposed.

  • Collapse
  • Expand

Hammer and beyond

The British horror film



All Time Past Year Past 30 Days
Abstract Views 249 107 5
Full Text Views 8 5 1
PDF Downloads 17 10 3