Putting the Brit into Eurohorror
Exclusions and exchanges in the history of European horror
in Hammer and beyond
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This chapter seeks to identify and characterise the relationship between British horror cinema and European horror cinema. In so doing it also explores a particular and influential critical understanding of European horror: ‘Eurohorror’, from which British horror films are typically excluded. It argues that the complexities associated with this relationship, such as it was in the past or is now, connect not just to the historical development of various national horror cinemas in Europe but also, perhaps more importantly, to how European horror cinema has been discussed, defined and discursively shaped since the 1980s. Throughout this period, the ways in which a wide range of European horror films have been circulated, received, interpreted and valued have undergone significant transformation.

Hammer and beyond

The British horror film

Editor: Johnny Walker


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