Culture matters

Britain and Africa in the twenty-first century provides the first analysis of the state of UK Africa policy in the era of austerity, Conservative government and Brexit. It explores how Britain’s relationship with Africa has evolved since the days of Blair, Brown and Make Poverty History and examines how a changing UK political environment, and international context, has impacted upon this long-standing – and deeply complex – relationship. This edited collection provides an indispensable reference point for researchers and practitioners interested in contemporary UK–Africa relations and the broader place of Africa in British politics and foreign policy. Across twelve chapters, the book’s contributors examine how far UK Africa policy has been transformed since the fall of the 1997–2010 Labour Government and how far Conservative, or Conservative-led, Governments have reshaped and re-cast links with the continent. The book includes analyses of UK approaches to diplomacy, security, peacekeeping, trade and international development in, or with, Africa. The contributions, offered by UK- and Africa-based scholars and practitioners, nonetheless take a broader perspective on UK–Africa relations, examining the changing perspectives, policies and actions of political parties, advocacy groups and the UK population itself. The authors argue that the Afro-optimism of the Blair years no longer provides the guiding framework for UK engagement with Africa. It has not, however, been replaced by an alternative paradigm, leaving significant space for different forms of relationship to be built, or reconstructed. The book includes a foreword by Chi Onwurah MP, Chair of the All Party Parliamentary Group for Africa.

Interrogation, Intelligence and Security examines the origins and effects of a group of controversial interrogation techniques often described as torture, known as the ‘five techniques’. Focusing on the colony of Aden at a time when British rule was being challenged by nationalist insurgents (1963-67), on the height of ‘the troubles’ in Northern Ireland (1971) and the conflict in Iraq (2003), the book explores the use of hooding to restrict vision, white noise, stress positions, limited sleep and a limited diet. Through its in-depth analysis the book reveals how British forces came to use such controversial methods in counter-insurgency, counter-terrorism and internal security contexts. In Aden and Northern Ireland the techniques were a part of policy, used because of the British military’s belief – a belief adopted by members of government – that the techniques would increase the amount and quality of intelligence obtained during interrogation. In Iraq the techniques were used for a much more complex set of factors that can be categorised into facilitating and motivating factors. The book finds that while it is likely that some intelligence was produced from these interrogations, the techniques had widespread and long-lasting negative effects that should be taken into account when judging whether these and similar techniques can be justified.

This book is a story about the importance of stories in International Relations. It brings insights from Literary Studies and Narratology into IR and political science by developing a new discourse analytical method of narrative analysis. Focusing on the three narrative elements of setting, characterization and emplotment, the book argues that narratives are of fundamental importance for human cognition and identity construction. Narratives help us understand the social and political world in which we live. The book emphasizes the idea of intertextual narratability which holds that for narratives to become dominant they have to link themselves to previously existing stories. Empirically the book looks at narratives about pirates, rebels and private military and security companies (PMSCs). The book illustrates in the case of pirates and rebels that the romantic images embedded in cultural narratives influence our understanding of modern piracy in places like Somalia or rebels in Libya. Dominant romantic narratives marginalize other, less flattering, stories about these actors, in which they are constituted as terrorists and made responsible for human rights violations. In contrast, in the case of PMSCs in Iraq the absence of such romantic cultural narratives makes it difficult for such actors to successfully narrate themselves as romantic heroes to the public.