Federica Coluzzi
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Dante studies in Victorian Britain
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This chapter discusses how by the end of the nineteenth century Victorian dantismo began to be practised and understood as a form of public outreach and engagement as well as of political and cultural exchange on a national and international level. It retraces the dynamics of disciplinary specialisation of Dante studies from the perspective of the scholarly activities of the Oxford, London and Manchester Dante Societies established between 1876 and 1906, and the creation of Dante Collections at University College London and at the John Rylands Library. It illustrates how these professional institutions were responsible for catalysing the methodological turn from dantophilia to dantismo, and the institutionalisation of the teaching of Dante in academic (established and extramural) courses. This reconstruction rests on the perusal of archival holdings including the Societies’ records, minute books, teaching syllabi and transcriptions of lectures as witnesses of the diverse political, aesthetic, and ideological make-ups of the Societies as well as of the cultural exchange nationally and internationally. The chapter pays particular attention to figures such as Henry Clark Barlow, Edward Moore, Paget Toynbee, Charles Tomlinson and Azeglio Valgimigli for the way their personal trajectories exemplified the historical and socio-cultural evolution of the Dante enthusiast into a Dante scholar: a turn that fostered the conditions for the creation of one of the most eminent scholarly Dante traditions outside Italy. 

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Dante beyond influence

Rethinking reception in Victorian literary culture


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