in Baroquemania
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The introduction explores the Italians’ love–hate relationship with the idea of the Baroque, which evoked both a shameful past in which the peninsula was divided and occupied, and a style hailed as a precursor of modernism. Although many studies have analysed the Baroque revival in the German- and Spanish-speaking contexts, the introduction argues that it is urgent to do for Italy as well, as Italian theoretical and visual reinterpretations of this style were in conversation with canonical authors on this topic. The introduction also outlines some key moments in the Baroque reception: from its dismissal in the eighteenth century to its rediscovery in nineteenth-century France and Germany.


Italian visual culture and the construction of national identity, 1898–1945


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