Steven Earnshaw
Search for other papers by Steven Earnshaw in
Current site
Google Scholar
PubMed
Close
Before, during and after postmodernism
Abstract only
Log-in for full text

Towards the latter half of the nineteenth century a new aesthetic, predominantly European in its earlier incarnations, reacts against Realism and produces what is collectively termed 'modernism'. Towards the end of the 1950s and beginning of the 1960s a new aesthetic came to dominate, called 'postmodernism'. If modernism and Realism had some common points of contact, the relationship between Realism and postmodernism is completely antithetical and antagonistic. Much of what has been said about postmodern writing applies to magical realism. This chapter provides a detailed account of Postmodernism and magical realism by considering two exemplary texts, namely Margaret Atwood's novel The Handmaid's Tale and Gabriel García Márquez's One Hundred Years of Solitude. It looks at Joshua Ferris's Then We Came to the End, which describes the minutiae of everyday life in the office of an advertising agency, with the unusual device of using the first-person plural for its narrative perspective.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

Metrics

All Time Past Year Past 30 Days
Abstract Views 813 317 4
Full Text Views 34 18 0
PDF Downloads 27 10 0