Chinese printmaking in the twenty-first century
New horizons and energies
in Perspectives on contemporary printmaking
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Critic Shang Hui diagnoses a resurgence of Chinese printmaking in the early part of the twenty-first century. Dominated by the woodcut since the 1930s, Chinese printmaking was subject to the demands of the ideology of the communist state until the beginning of reforms in the 1980s and so, in printmaking, this translated into the adoption of techniques other than the woodcut.


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