‘Attractive and imitable’
Marlon Brando and The Wild One ban in the UK
in Screening the Hollywood rebels in 1950s Britain
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Chapter 1 contextualises Marlon Brando’s early stardom in Britain to re-evaluate why the British Board of Film Censors (BBFC) chose to impose a fourteen-year ban on The Wild One. Conversely, it chronicles how some local authorities and private clubs overturned the ban and screened the film. Brando’s early persona as a wayward but talented stage-trained actor, who became a Hollywood ‘anti-star’, meant that he occupied a unique position in cinema. This partly explains why the BBFC was overly concerned with releasing a film that allied an established and forceful method actor with reckless juvenile delinquency. The censor board publicly defended its decision to ban the film (deny it a certificate) through recourse to the excessive screen violence. Confidential records demonstrate that British film censors actually considered Brando’s screen delinquent to be too ‘attractive and imitable’ and worried that the film was a blueprint for yet more ‘organised hooliganism’ by British Teddy boys. Through an analysis of Marlon Brando’s early popularity, sustained by his persuasive interpretation of method acting techniques, his kudos with film critics and his appeal to British film fans, the chapter demonstrates that Brando’s stardom was the major factor behind the controversial decision to ban the film. Paying close attention to the aspects of mise en scène which heighten Brando’s sexuality and sympathetic qualities, the chapter demonstrates how his screen delinquent emerged as an admirable anti-hero – a far more complex and enduring character than anticipated, which surpassed even Hollywood’s expectations.


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